Romanian-born conductor sergei chelibidaci studied music in 1936 at music institute in Berlin, Germany, where he studied under Heinz Thiessen, Kurt Thomas, and Fritz Stein.In 1945, he became the permanent conductor of the Berlin philharmonic orchestra. At that time, he just graduated from music academy and was only 33 years old. He kept the Berlin philharmonic music at the first-class level and greatly expanded the repertoire of the Berlin philharmonic, allowing the orchestra to go beyond the circle of traditional repertoire. The 20th-century maestro died in 1996 at ranaux-sur-aisne, in the pisville district, near Paris.

Some say it was his influence on the occidentals, and that his repertoire was the work of bruckner, Brahms, Beethoven and others. The charm of chelibidac lies in his extreme nature, in which he rehearses his orchestra over and over again and rigidly in pursuit of the best sound he wants. Of course, the attacks on his extreme interpretations never stopped throughout his life, but fortunately, by the time he was gray, more and more people realized their extreme value, and they became wealth.

Coincidentally, South Korea's NEOVOX wire designers are also a fanatical classical music enthusiasts. He often listened to classical music over and over again, even naming all his products after different classical music conductor composers.

Since the NEOVOX 'conductor' trumpet line is named after CELIBIDACHE chelibidaci, then I will play the piano of Michael & jeri, and chelibidaci conducts the piano concerto of Swedish radio symphony orchestra and Arkadia Records for testing.

Connect it to the system, can detect NEOVOX neo conductor horn line, full of vigor and vitality of the voice, play music sound field open and transparent. It is not quite like our impression of the traditional copper wire sound base, without that kind of thick and strong music flavor, but it brings people into music with another relaxed approach.

Sitting there listening, just like the feeling in front of a scene, the stage can not only open to the left and right sides, but also the depth of the promotion, music level and separation are very good, music screen is a clear. It's hard to get a system that doesn't have a sense of space to show any detail. Music is all crowded in the middle, where the details come from, so the sound field is a very important part.

I was also pleased with the conductor's performance in detail. The piano is mellow, euphemistic and full of gloss, and even the overtones are very excellent. When the second song went to 3 '12, a little percussion noise from the stage was clearly heard.

The sixth Robert schumann piano concerto opens with a clear distribution of violin and piano positions. Although it is a collaboration of many violins, but the performance of music is very moving, slow when the performance of melodious smooth, high tide when the brush bow and reflect full and powerful.

In fact, I don't like his conducting style very much. I always feel that his conducting is slow and gives people a feeling of drowsiness, but I cannot help but admire his grasp of the orchestra and movement. This yellow label production, chelibidaqi conductor performance of Debussy works, chelibidaqi changed the previous slow, eerily conducting style, the whole movement of jumping poetry to give a full picture. The scales are smooth and natural, and nothing is too real to overdo. Trumpet and violin with the introduction of snare drum, swing into a large timpani climax. NEOVOX has no difficulty in coping with the calm and calm, dynamic not only free in and out, low frequency diving is also very solid. Full of energy, but the structure is clearer, the detail texture is clearer.

I don't know what style of line to classify NEOVOX, because it has the warmth of copper wire, but not the general copper wire too thick and strong. The high frequency and detail are also rich, clean and transparent, without deliberately rendering the performance of a certain frequency band. Overall timbre smooth nature can make music show living breath, let a person not only hear music, but also feel music, involved in music.